Wednesday, May 6, 2020
Blurred Gender Lines And Elizabethan Fear Of Femininity
BLURRED GENDER LINES AND ELIZABETHAN FEAR OF FEMININITY IN SHAKESPEARE In the context of modern society, the concepts of gender are blurred due to an open approach on the subjects of masculinity, femininity and all that may lie in between. However, as William Shakespeare was writing within the Elizabethan era, the lines of being masculine and being feminine were clearly determined in society, yet the cross-dressing plots in Shakespeareââ¬â¢s As You Like It (1599) and The Merchant of Venice (1597) illustrate how even within this time period, the identity of gender were constantly being questioned. Rosalind and Portia demonstrate the concept of cross-dressing as both disguise themselves as men in their stories and in doing so, pose questions about the validity of femininity. In The Merchant of Venice and As You Like It, cross-dressing is central to both the complication and the resolution of the plots. It is strongly evident in these plays that in an Elizabethan, as well as a modern context, the concept of gender is not a definitive way to determine place in society. By analysing how early and modern culture define gender, how this then applies to the two plays and then relating it all back to a contemporary influence illustrates how there still is blurred gender lines evident in society. MODERN AND ELIZABETHAN THEORIES OF GENDER The modern theories towards gender is a more open interpretation to previous theories which believed in a clear distinction between sex and gender.
Bloodsucking Fiends A Love Story Chapter 21 Free Essays
Chapter 21 Angel Dust The bed of Simonââ¬â¢s pickup was full of beer-sodden Animals enjoying the morning fog and speculating on the marital status of the new cashier. She had smiled at Tommy when she arrived, driving the Animals into a psychosexual frenzy. ââ¬Å"She looked like she was being towed through the store by two submarines,â⬠said Simon. We will write a custom essay sample on Bloodsucking Fiends: A Love Story Chapter 21 or any similar topic only for you Order Now ââ¬Å"Major hooters,â⬠said Troy Lee. ââ¬Å"Major-league hooters.â⬠Tommy said, ââ¬Å"Canââ¬â¢t you guys see more in a woman than T and A?â⬠ââ¬Å"Nope,â⬠said Troy. ââ¬Å"No way,â⬠said Simon. ââ¬Å"Spoken like a guy who has a live-in girlfriend,â⬠said Lash. ââ¬Å"Yeah,â⬠Simon said. ââ¬Å"How come we never see you with the little woman?â⬠ââ¬Å"Seagull! ââ¬Å"shouted Barry. Simon pulled a pump shotgun from under a tarp in the truck bed, tracked on a seagull that was passing over, and fired. ââ¬Å"Missed again!â⬠shouted Barry. ââ¬Å"You canââ¬â¢t kill them all, Simon,â⬠Tommy said, his ears ringing from the blast. ââ¬Å"Why donââ¬â¢t you just cover your truck at night?â⬠Simon said. ââ¬Å"You donââ¬â¢t pay for twenty coats of hand-rubbed lacquer to cover it up.â⬠The shotgun went under the tarp and the manager came through the front doors of the store. ââ¬Å"What was that? What was that?â⬠He was scanning the parking lot frantically as if he expected to see someone with a shotgun. ââ¬Å"Backfire,â⬠Simon said. The manager looked for the offending car. ââ¬Å"They were heading toward the Marina,â⬠Tommy said. ââ¬Å"Well, you tell me if they come back,â⬠the manager said. ââ¬Å"Thereââ¬â¢s a noise ordinance in this city, you know.â⬠He turned to go back into the store. ââ¬Å"Hey, boss,â⬠Simon called. ââ¬Å"The new girl, whatââ¬â¢s her name?â⬠ââ¬Å"Mara,â⬠the manager said. ââ¬Å"And you guys leave her alone. Sheââ¬â¢s had a rough time of it lately.â⬠ââ¬Å"She single?â⬠Troy asked. ââ¬Å"Off limits,â⬠the manager said. ââ¬Å"I mean it. She lost a child a few months ago.â⬠ââ¬Å"Yes, boss,â⬠the Animals said in unison. The manager entered the store. Simon ripped a beer from a six-pack ring. He held another out to Tommy. ââ¬Å"Fearless Leader, another brew?â⬠ââ¬Å"No, Iââ¬â¢ve got to get home.â⬠ââ¬Å"Me too,â⬠said Simon. ââ¬Å"Iââ¬â¢ve got to clean the bird shit off the beast. You need a ride?â⬠ââ¬Å"Sure, can we stop in Chinatown? I want to pick something up for Jody.â⬠Simon shook his head. ââ¬Å"You worry me, son. Men have been pussy-whipped to death, you know.â⬠He downed his beer and crushed the can. ââ¬Å"Out of the truck, girls; Fearless Leader and I have to shop for tampons.â⬠ââ¬Å"Pull!â⬠Troy shouted. A half dozen beer cans arced into the air. The shotgun came out and Simon pumped out two quick shots. The beer cans fell to the parking lot unharmed. The shotgun went under the tarp. The manager came through the front door. Simon said, ââ¬Å"I saw it, boss. Was a baby-blue 72 Nova with a stuffed gerbil on the aerial. Call it in.â⬠Jodyââ¬â¢s hands were covered with a greasy dust: the remains of Philly. The body had decomposed to dust in seconds after she finished drinking, leaving a pile of empty clothes. After staring at the pile for a moment, she shook off the shock and gathered the clothes into a bundle, which she carried into a nearby alley. The blood-high raced through her like an espresso firehose. She leaned against a dumpster, holding the clothes to her breast like a security blanket. The alley tilted in her vision, then righted, then spun until she thought she would be sick. When the alley stopped moving, she fumbled through the clothing until she found a wallet. She opened it and pulled out the contents. This bundle of rags had been a person; ââ¬Å"Phillip Burns,â⬠the license said. He carried crinkled photos of friends, a library card, a dry-cleaning receipt, a bank card, and fifty-six dollars. Phillip Burns in a convenient, portable package. She pocketed the wallet, threw the clothes into the dumpster, then wiped her hands on her jeans and stumbled out of the alley. I killed someone, she thought. My God, I killed someone. What should I feel? She walked for blocks, not really looking where she was going, but listening to the rhythm of her own steps under the roar of the blood-high in her head. Philly had spilled into her shoes and she stopped and sat on the curb to dump him out. What is this? she thought. This isnââ¬â¢t anything. This isnââ¬â¢t what I was before I was a vampire. What is this? This is impossible. This isnââ¬â¢t a person. A person canââ¬â¢t reduce to dust in seconds. What is this? She took off her socks and shook them out. This is fucking magic, she thought. This isnââ¬â¢t some story out of one of Tommyââ¬â¢s books. This isnââ¬â¢t something you can experiment with in the bathroom. This is not natural, and whatever I am, it isnââ¬â¢t natural. A vampire is magic, not science. And if this is what happens when a vampire kills, then how are the police finding bodies? Why is there a guy in my freezer? She put on her shoes and socks and resumed walking. It was starting to get light and she quickened her pace, checked her watch, then broke into a run. Sheââ¬â¢d made a habit of checking the time of sunrise every morning in the almanac so she wouldnââ¬â¢t be caught too far from home. Five years in the City had taught her the streets, but if she was going to run she had to learn the alleys and backstreets. She couldnââ¬â¢t let anyone see her moving this fast. As she ran, a voice sounded in her head. It was her voice, but not her voice. It was the voice that put no words to what her senses told her, yet understood. It was the voice that told her to hide from the light, to protect herself, to fight or flee. The vampire voice. ââ¬Å"Killing is what you do,â⬠the vampire voice said. The human part of her was revolted. ââ¬Å"No! I didnââ¬â¢t want to kill him.â⬠ââ¬Å"Fuck him. It is as it should be. His life is ours. It feels good, doesnââ¬â¢t it?â⬠Jody stopped fighting. It did feel good. She pushed the human part of her aside and let the predator take over to race the sun for her life. Nick Cavuto paced around the chalk outline of the body as if he were preparing to perform a violent hopscotch on the corpse. ââ¬Å"You know,â⬠Cavuto said, looking over at Rivera, who was trying to fend off a reporter from the Chronicle at the yellow crime-scene tape, ââ¬Å"this guy is pissing me off.â⬠Rivera excused himself from the reporter and joined Cavuto by the body. ââ¬Å"Nick, keep it down,â⬠he whispered. ââ¬Å"This stiff is making my life difficult,â⬠Cavuto said. ââ¬Å"I say we shoot him and take his wallet. Simple gunshot wound, robbery motive.â⬠ââ¬Å"He didnââ¬â¢t have a wallet,â⬠said Rivera. ââ¬Å"There you have it, robbery. Massive blood loss from gunshot wound, broke his neck when he hit the ground.â⬠The reporter perked up. ââ¬Å"So it was a robbery?â⬠Cavuto glared at the reporter and put his hand on his thirty-eight. ââ¬Å"Rivera, what do you say to a murder-suicide? Scoop over there killed this guy, then turned the gun on himself ââ¬â case closed and we can go get some breakfast.â⬠The reporter backed away from the line. Two coronerââ¬â¢s assistants moved to the body, pushing a gurney with a body bag on it. ââ¬Å"You guys done here?â⬠one of them asked Cavuto. ââ¬Å"Yeah,â⬠Cavuto said. ââ¬Å"Take him away.â⬠The coroners spread the body bag out and hoisted the body onto it. ââ¬Å"Hey, Inspector, you want to bag this book?â⬠ââ¬Å"What book?â⬠Rivera turned. A paperback copy of Kerouacââ¬â¢s On the Road was lying in the chalk line where the body had been. Rivera slipped on a pair of white cotton gloves and pulled an evidence bag from his jacket pocket. ââ¬Å"Here you go, Nick. The guy was a speed reader. Snapped his neck on a meaningful passage.â⬠Jody glanced at the lightening sky, ducked down an alley, and fell into a trot. She was only a block from home, sheââ¬â¢d make it in long before sunrise. She leaped over a dumpster, just to do it, then high-stepped through a pile of crates like a halfback through fallen defenders. She was strong in the blood ââ¬â high, quick and light on her feet, her body moved, dodged, and leaped on its own ââ¬â no thought, just fluid motion and perfect balance. Sheââ¬â¢d never been athletic in life: the last kid to be picked for kickball, straight Cââ¬â¢s in phys ed, no chance as a cheerleader; the self-conscious, one-step dancer with the rhythmic sense of an inbred Aryan. But now she reveled in the movement and the strength, even as her instincts screamed for her to hide from the light. She heard the policemenââ¬â¢s voices before she saw the blue and red lights from their cars playing across the walls at the end of the alley. Fear tightened her muscles and she nearly fell in mid-step. She crept forward and saw the police cars and coronerââ¬â¢s wagon parked in front of the loft. The street was full of milling cops and reporters. She checked her watch and backed down the alley. Five minutes to sunrise. She looked for a place to hide. There was the dumpster, even a few large garbage cans, three steel doors with massive locks, and a basement window with steel bars. She ran to the window and tried the bars. They moved a bit. She checked her watch. Two minutes. She braced her feet against the brick wall and pulled on the bars with her legs. Rusty bolts tore out of the mortar and the bars moved another half inch. She tried to peer into the window, but the wire-reinforced glass was clouded with dirt and age. She yanked on the bars again and they screamed in protest and came loose. She dropped the grate and was drawing back to kick out the glass when she heard movement behind the window. Oh my God, thereââ¬â¢s someone inside! She looked around to the dumpster, some fifty feet away. She looked at her watch. If it was right, the sun was up. She wasâ⬠¦ The glass shattered behind her. Two hands came through the window, grabbed her ankles, and pulled her inside as she went out. ââ¬Å"These here turtles are defective,â⬠Simon said. ââ¬Å"Itââ¬â¢s okay, Simon,â⬠said Tommy. They were in a Chinatown fish market, where Tommy was trying to purchase two massive snapping turtles from an old Chinese man in a rubber apron and boots. ââ¬Å"You no know turtle!â⬠the old man insisted. ââ¬Å"These plime, glade-A turtle. You no know shit about turtle.â⬠The turtles were in orange crates to immobilize them. The old man sprayed them down with a garden hose to keep them wet. ââ¬Å"And Iââ¬â¢m telling you, these turtles are defective,â⬠Simon insisted. ââ¬Å"Their eyes are all glazed over. These turtles are on drugs.â⬠Tommy said, ââ¬Å"Really, Simon, itââ¬â¢s okay.â⬠Simon turned to Tommy and whispered, ââ¬Å"You have to bargain with these guys. They wonââ¬â¢t respect you if you donââ¬â¢t.â⬠ââ¬Å"Turtleââ¬â¢s not on dlugs,â⬠said the old man. ââ¬Å"You want turtle, you pay forty bucks.â⬠Simon pushed his black Stetson back on his head and sighed. ââ¬Å"Look, Hop Sing, you can do time for selling drugged turtles in this city.â⬠ââ¬Å"No dlugs. Fuck you, cowboy. Forty bucks or go away.â⬠ââ¬Å"Twenty.â⬠ââ¬Å"Thirty.â⬠ââ¬Å"Twenty-five and you clean ââ¬â¢em.â⬠ââ¬Å"No,â⬠Tommy said. ââ¬Å"I want them alive.â⬠Simon looked at Tommy as if he had farted in neon. ââ¬Å"Iââ¬â¢m trying to negotiate here.â⬠ââ¬Å"Thirty,â⬠said the old man. ââ¬Å"As is.â⬠ââ¬Å"Twenty-seven,â⬠Simon said. ââ¬Å"Twenty-eight or go home,â⬠said the old man. Simon turned to Tommy. ââ¬Å"Pay him.â⬠Tommy ticked off the bills and handed them to the old man, who counted them and put them in his rubber apron. ââ¬Å"You cowboy friend no know turtle.â⬠ââ¬Å"Thanks,â⬠Tommy said. He and Simon picked up the crates with the turtles and loaded them into the bed of Simonââ¬â¢s truck. As they climbed into the cab, Simon said, ââ¬Å"You got to know how to deal with those little fuckers. Ever since we nuked them, they got a bad attitude.â⬠ââ¬Å"We nuked the Japanese, Simon, not the Chinese.â⬠ââ¬Å"Whatever. You shouldââ¬â¢a made him clean them for you.â⬠ââ¬Å"No, I want to give them to Jody alive.â⬠ââ¬Å"Youââ¬â¢re a charmer, Flood. A lot of guys wouldââ¬â¢ve just paid the ransom with candy and flowers.â⬠ââ¬Å"Ransom?â⬠ââ¬Å"Sheââ¬â¢s got your nooky held hostage, ainââ¬â¢t she?â⬠ââ¬Å"No, I just wanted to get her a present ââ¬â to be nice.â⬠Simon sighed heavily and rubbed the bridge of his nose as if fighting a headache. ââ¬Å"Son, we need to talk.â⬠Simon had distinctive ideas about the way women should be handled, and as they drove to SOMA he waxed eloquent on the subject while Tommy listened, thinking, If they knew about him, Simon would be elected the Cosmo Nightmare Man for the next decade. ââ¬Å"You see,â⬠Simon said, ââ¬Å"when I was a kid in Texas, we used to walk through the watermelon fields kickinââ¬â¢ each of them old melons as we went until one was so ripe and ready that it busted right open. Then weââ¬â¢d reach in and eat the heart right out of it and move on to the next one. Thatââ¬â¢s how you got to treat women, Flood.â⬠ââ¬Å"Like kicking watermelons?â⬠ââ¬Å"Right. Now you take that new cashier. She wants you, boy. But youââ¬â¢re thinkinââ¬â¢, I got me a piece at home so I donââ¬â¢t need her. Right?â⬠ââ¬Å"Right,â⬠Tommy said. ââ¬Å"Wrong. You got one at home that youââ¬â¢re buying presents for and saying sweet things and tiptoeing around the house so as not to upset her and generally acting like a spineless nooky slave. But if you put it to that new cashier, then you got one up on your old lady. You can do what you want, when you want, and if she gets pissy and donââ¬â¢t put out, you go back to your cashier. Your old lady has to try harder. Thereââ¬â¢s competition. Itââ¬â¢s supply and demand. God bless America, itââ¬â¢s nooky capitalism.â⬠ââ¬Å"Iââ¬â¢m lost. I thought it was like watermelon farming.â⬠ââ¬Å"Whatever. Point is, youââ¬â¢re whipped, Flood. You canââ¬â¢t have no self-respect if youââ¬â¢re whipped. And you canââ¬â¢t have no fun.â⬠Simon turned on Tommyââ¬â¢s street and pulled the truck over to the curb. ââ¬Å"Something going on here.â⬠There were four police cars parked in the street in front of the loft and a coronerââ¬â¢s van was pulling away. ââ¬Å"Wait here,â⬠Tommy said. He got out of the car and walked toward the cops. A sharp-featured Hispanic cop in a suit met Tommy in the middle of the street. His badge wallet hung open from his belt; he was holding a plastic bag. Inside it Tommy saw a dog-eared copy of On the Road. He recognized the coffee stains on the cover. ââ¬Å"This street is closed, sir,â⬠the cop said. ââ¬Å"Crime investigation.â⬠ââ¬Å"But I just live right there,â⬠Tommy said, pointing to the loft. ââ¬Å"Really,â⬠the cop said, raising an eyebrow. ââ¬Å"Where are you coming from?â⬠ââ¬Å"The fuckââ¬â¢s going on here, pancho?â⬠Simon said, coming up behind Tommy. ââ¬Å"I got a truckful of dyinââ¬â¢ turtles and I ainââ¬â¢t got all damn day.â⬠ââ¬Å"Oh Christ,â⬠Tommy said, hanging his head. How to cite Bloodsucking Fiends: A Love Story Chapter 21, Essay examples
Saturday, April 25, 2020
School Violence Essays (977 words) - Education, Behavior, Misconduct
School Violence Jim cringed when he heard his assistant yelling to him from her office across the hall. The principal from your daughter's school is on the phone. Jim picked up the phone, noticing that is was already 2:15 PM by the wall clock in his office, and timidly said, hello? Ms. Jensen, the principal, (sounding exasperated) said, good afternoon Mr. Wilson, I am calling because your daughter assaulted a boy during assembly this afternoon and I need you to meet with me as soon as possible and then take her home. I can't today, Jim told her, I have a board meeting in less than an hour. Send her home on the bus and I will tell my house keeper to keep an eye on her till I get home. Can Mrs. Wilson come in? I really need to discuss your daughter's behavior with one of you in person as soon as possible, said the principal. No, she is out of town on business and won't be back till this weekend, but I will have my assistant call you back later and set up an appointment for me to meet with you tomorrow or the next day. In today's society with the predominance of dual income families, parents are often too busy to raise their children, they rely on sitters or housekeepers to care for, and in some cases actually raise, their children. Student violence in our schools has become a major national issue, as reported by numerous newspapers over the last several years. This problem not only endangers both students and teachers, but also prevents teachers from teaching and students from learning for fear of dangers in the deceptively peaceful school environment. In order to create a safe environment that is conducive to learning, preventative programs that address the root causes of violence must be developed. A possible, though somewhat extreme solution to this problem would be to hold parents legally responsible for their children's actions and/or behavior. The factors that contribute to school violence are too numerous to count, very diversified, and everyone probably has their own opinion of what they are. For example, teachers perceive that the major factors contributing to student violence are lack of parental supervision at home (71 percent), lack of family involvement with the school (66 percent), and exposure to violence in the mass media (55 percent) (taken from The American Teacher, 1993). Today's children are pretty bright, they realize that since both of their parents work if they do something wrong at school it will be very hard to contact their parents. They also probably believe that even if the school gets in touch with their parents that they will be too busy to respond to the school other than by just answering the phone. Compounding these problems even further, when children repeatedly get into trouble, parents may still refuse to deal with the situation and have their sitters or housekeepers take care of the problem. Some parents may even believe there is nothing they can do to control their children, or that the school itself is the one to fault and not their children. Why can't the school do more to control the actions of the students? After all, they see them more than we do. This thought process along with the student violence itself poses serious problems to our schools and the future of our society in general. But who is to blame; who is ultimately responsible; and what can be done to remedy these problems? This new educational environment, which in some respects often resembles a war zone, has created a need for society to develop programs that will offer a safe learning environment for all children and the teachers who teach them. Since laws demand that children attend school, schools have the inherent responsibility to provide them with a safe place where they can learn. To reach this goal most schools have taken technological steps (such as metal detectors and/or police guards) to try to stop some of the more violent acts from happening. While those steps may prevent students from conducting violent acts at school, they will not root out the more basic behavioral problems. And schools can't do it
Wednesday, March 18, 2020
New Years Resolutions for Teachers
New Year's Resolutions for Teachers As elementary school teachers, we are always striving to improve. Whether our goal is to make our lessons more engaging ââ¬â¹or to get to know our students on a higher level, we are always trying to take our teaching to the next level. The new year is a great time to take a closer look at how we run our classroom and to decide what we would like to improve. Self-reflection is an important part of our job, and this New Year is the perfect time to make some changes. Here are 10 New Years Resolutions for teachers to use as inspiration. 1. Get Your Classroom Organized This is usually on the top of the list for all teachers. While teachers are known for their organizational skills, teaching is a hectic job and its easy to let things get a little out of control. The best way to achieve this goal is to make a list and slowly check off each task as you complete them. Break up your goals into smaller tasks to make them easier to achieve. For example, week one, you might choose to organize all your paperwork, week two,à your desk, and so on.à 2. Create a Flexible Classroom Flexible classrooms are all the rage right now, and if you havent yet incorporated this trend into your classroom, the new year is a great time to start. Begin by purchasing a few alternative seats and a bean bag chair. Then, move on to bigger items such as standing desks.à 3. Go Paperless With educational technology tools, its really gotten even easier to commit to aà paperless classroom. If youre lucky enough to have access to iPads, you may even choose to have your students complete all of their work digitally. If not, visit Donorschoose.org and ask for donors to purchase them for your classroom. 4. Remember Your Passion for Teaching Sometimes the idea of a fresh new start (like the New Year) can help you remember your passion for teaching. Its easy to lose track of what initially motivated you to teach, especially when youve been at it for a long time. This new year, take some time to jot down some of the reasons why you became a teacher in the first place. Remembering your drive and passion for teaching will help you keep going. 5. Re-Think Your Teaching Style Every teacher has their own style of teachingà and what works for some may not work for others. However, the New Year may give you the opportunity to re-think the way that you teachà and to try something new that you have always wanted to try. You can start by asking yourself some questions, like Do I want a student-centered classroom? or Would I like to be more of a guide or a leader? These questions will help guide you in figuring out which teaching style you want for your classroom. 6. Get To Know Students Better Take some time in the new year to get to know your students on a more personal level. This means taking some time to get to know their passions, interests, and family outside of the classroom. The better connection that you have with each individual student, the stronger theà classroom community you can build. 7. Have Better Time Management Skills This new year, take some time to improve your time management skills. Learn to prioritize your tasks and take advantage of technology to really maximize your students learning time. Tech tools are known to keep students engaged in learning longer, so if you really want to maximize your students learning time use these tools every day.à 8. Use More Tech Tools There are some great (and affordable!) educational tech tools that are on the market. This January,à make it your goal to try and utilize as many pieces of technology as you can. You can do this, by going to Donorschoose.org and creating a list of all of the items that your classroom needs along with the reasons why. Donors will read your inquiry and purchase the items for your classroom. Its that easy. 9.To Not Take Work Home with You Your goal is to not take your work home with you so that you can spend more time with your family doing things that you love. You would think that this seems like an impossible task, but by showing up for work thirty minutes early and leaving thirty minutes late, its very possible.à 10. Spice Up Classroom Lesson Plans Every now and then, its fun to spice things up. This New Year,à change up your lessons and see how much fun you will have. Instead of writing everything on the chalkboard, use your interactive whiteboard. If your students are used to you always using textbooks for their lessons, turn the lesson into a game. Find a few ways to change up your normal way that you do things and you will see the spark being lit in your classroom once again.
Sunday, March 1, 2020
Greek Mythology - Bible vs Biblos
Greek Mythology - Bible vs Biblos The Bible is sometimes called the Good Book, which is fitting since the word Bible comes from the Greek word for book, biblos. For the Greeks, the bible was Homer, particularly, The Iliad, and Hesiod. The Father of History, the Greek Classical period traveler Herodotus (c. 484-425 B.C.) writes: Whence the gods severally sprang, whether or no they had all existed from eternity, what forms they bore - these are questions of which the Greeks knew nothing until the other day, so to speak. For Homer and Hesiod were the first to compose Theogonies, and give the gods their epithets, to allot them their several offices and occupations, and describe their forms; and they lived but four hundred years before my time, as I believe.~ Herodotus Book IIYou can find a religious world view, morals, customs, genealogy, and more in Homer and Hesiod. However, The Iliad, The Odyssey, and Theogony were not sacred texts. (Depending on your definition, the Greeks had other sacred texts, like hymns and responses of the oracles.)The Opening of The IliadThe Iliad begins, not with the creation of the world in 6 days, but with an invocation of the goddess or muse:Sing, O goddess,followed by the story of the wrath of the great Greek hero of the Trojan War, Achilles:the anger of Achilles son of Peleus, t hat brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another....and his anger at the expeditions leader, Agamemnon, who has strained relations with his best man by stealing his beloved concubine and committed sacrilege:And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto [Apollo]; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest.(Samuel Butler translation)The Place of Gods in Mans LifeGods in Homers ancient heroic age walked among men, but they were much more powerful than humans and could be prevailed upon by prayer and sacrifice to help human beings. We see this in the opening of The Iliad where the rhap sode (the composer/singer of the story) Homer seeks divine inspiration to create a great epic, and where an old man seeks the return of his abducted daughter.There is nothing in this Greek great book (The Iliad) about taking clay and forming it in a certain likeness or taking a rib from said animated clay, although the latter, the story of the creation of woman (Pandora) by a craftsman, does appear differently elsewhere in the canon of Greek mythology.Next Page: Creation Stories Introduction to Greek Mythology Myth in Daily Life What Is Myth? Myths vs. Legends Creation Stories Titanomachy Olympian Gods and Goddesses Five Ages of Man Philemon and Baucis Prometheus Trojan War Bulfinch Mythology Myths and Legends Kingsley Tales from Mythology | Golden Fleece and the Tanglewood Tales, by Nathaniel Hawthorne Confusing Creation Stories Creation StoriesUranos Revenge Titanomachy Philemon and Baucis Prometheus Version 1: Genesis 1.27 King James27: So God created man in his own image, in the image of God created he him; male and female created he them. Version 2: Genesis 2.21-2321: And the LORD God caused a deep sleep to fall upon Adam and he slept: and he took one of his ribs, and closed up the flesh instead thereof; 22: And the rib, which the LORD God had taken from man, made he a woman, and brought her unto the man. 23: And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.... the story of the 5 Ages Also see Jewish Legends - Creation Genealogy Shows Mans Relationship to God(s) The stories one polis told about its divine connection might or might not contradict the stories of another polis about its connection with the same god. Sometimes what looks like an effort to smooth out one set of inconsistencies seems to have created others. It might serve those of us coming to the Greek stories from a Judaeo-Christian tradition to remember that there are plenty of apparent inconsistencies in the Bible, too. Reference: [url formerly www.rpgclassics.com/quotes/iliad.shtml] Interesting Quotations from the Iliad Introduction to Greek Mythology Myth in Daily Life What Is Myth? Myths vs. Legends Gods in the Heroic Age - Bible vs. Biblos Trojan War Bulfinch Mythology Myths and LegendsGolden Fleece and the Tanglewood Tales, by Nathaniel Hawthorne
Friday, February 14, 2020
Budhist ethics and victimized children Essay Example | Topics and Well Written Essays - 500 words
Budhist ethics and victimized children - Essay Example Right thinking, religious and social citizenry have provided relief. Nevertheless, the end to the sufferings of these innocent victims still seems a distant dream. (Help for Victimized Children) The Buddhist ethics highlights the eightfold path that applies to the normal citizens, perpetrators of sufferings on the victimized children, and the victims themselves. The Buddhist ethics provides gripping insights to awaken concern and care, penitence to the perpetrators and solace to the victims. The jungle law of ââ¬ËMight is rightâ⬠has predators and preys following it with their own interpretations of attack or escape. The carnivores kill to satisfy their hunger. However, the perpetrators of crime on children do so to satisfy their greed and lust. Greed is like a bottomless pit and it ends in tragic misery. Buddhist ethics exposes the debilitating consequence and futility of greed as also other fleshly desires. According to the second truth of Buddhist ethics, all sufferings are the results of tanha (cravings). The handling or mishandling of tanha produces fruitful results or sufferings, depending on the process. Tanha is not restricted to criminal actions alone. Tanha in all forms lead to sufferings, according to Buddhist ethics. The tanha for power and good life also leads to suffering. (Michael C. Brannigan) It is difficult to interpret this concept to victimized children because it is practically inconceivable and unreasonable to explain a horrified child why he or she must not crave for solace or good life. The Buddhist concept of anatman (no self, soullessness) provides the eightfold path to freedom from sufferings. This eightfold path of right view, right resolve, right speech, right conduct, right livelihood, right effort, right mindfulness, and right concentration is instrumental in a society eager to alleviate the sufferings of victimized children. The
Saturday, February 1, 2020
SLP - RECRUITMENT 401HRM Essay Example | Topics and Well Written Essays - 750 words
SLP - RECRUITMENT 401HRM - Essay Example CCGB is accountable for promoting and evolving original and prevailing trademarks. Reputable in West London and hiring 130 people, it manages over 20 brands in the Great Britain. On the other hand, CCE produces and dispenses soft drinks for The Coca-Cola Corporation and other additional brand owners. It hires approximately 4,500 people in the Great Britain and has a total of six industrial locations across the republic. The Coca-Cola Corporation employs the use of the following administration style: consultative democratic. This is a management style where the executives permit the workers to create ideas that are then sent to the directors who then consult their team to make the ultimate resolution. This corporation prefers to use this style since the resultant decision is from all the employees and management team. Consequently, the outcome is that it assists in motivating employees as they are conscious that they have a say in the corporation to some degree. The shortcomings of this style, is that the procedure is very time consuming and power will be necessary during the whole process. Management at Coca-Cola Company emphasizes on the procurement and preservation of exceedingly skilful and well-informed workers so that it can uphold its top place in the marketplace. It provides such environments of service and measures that permit all workers to progress a logic of harmony with the corporation and to carry out their responsibilities in the most enthusiastic and operative methods. It also provides for the sanctuary of service to the employees so that they may not be preoccupied by the reservations of their prospect. These goals, policies, guidelines, and curriculums are pre- specified by the firm, which leads the administration and unions in taking decisions. Also, they are in harmony with the administrationââ¬â¢s aims, goals, policies, guidelines and its and internal and exterior settings. Job analysis is the process for
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